二戰太平洋電影 Cinema & Collective Memory of WWII in Eastern Asia and in the Pacific - 103學年度

Cinema & Collective Memory of WWII in Eastern Asia and in the Pacific - 103 Academic Year

二戰太平洋電影 - 103學年度

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課程影音
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課程行事曆

Acknowledgement

These documents are just notes taken for my course on Cinema and WWII in Eastern Asia and in the Pacific. They are written in my imperfect English and have not be revised by an English-speaking person. For this reason, no excerpt from them should be borrowed or quoted under no circumstances and for any purpose.

※注意※

本網頁之相關文件(包含課程講義)、影像(課程影片)為提供「二戰太平洋電影」課程之使用，文字及講授內容未經潤飾，請勿任意引用、擷取。

Alain Brossat

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授課教師	Alain Brossat
課程學分	3學分
授課年度	103學年度
授課對象	碩士班
預備知識
課程提供	課程影音課程綱要課程行事曆

每頁顯示個資料列

搜尋:

週次	課程內容	課程影音
第一週	War movie(s) and total mobilization. Propaganda and democracy. John Ford ans Akira Kurosawa « do the job » (The Most Beautiful, December 7th)	線上觀看
第二週	The body of the ennemy : war of races, animalization, extermination (Objective Burma, Raoul Walsh)	線上觀看
第三週	On crime against humanity – concurrence among the victims (Nanking's bloodbath – Don't Cry Nanking, Wu Ziniou and City of Life and Death, Lu Chuan)	線上觀看
第四週	On crime against humanity – denial of the crime (Hollywood, the air war, Hiroshima and Nagasaki – Above and Beyond, Melvyn Frank and Norman Panama)	線上觀看
第五週	On crime against humanity – esthetics and politics of the catastrophe (Black Rain, Shohei Imamura, Rhapsody in August, Akira Kurosawa, Children of Nagasaki Keisuke Kinoshita)	線上觀看
第六週	Transfiguring defeats in the field into moral victories (Back to Bataan, Edward Dmytryck, Victory, Liu Jia Chang, Kamikaze, Shinjo Taku)	線上觀看
第七週	Colonization as an insult, Chinese boxing as reparation (Yip Man, Wilson Yip, Born to Defense, Jet Li, Fist of Fury, Lo Wei)	線上觀看
第十週	Talking with the enemy – war and idioms – at the end, everybody speaks English (None but the Braves, Frank Sinatra, Hell in the Pacific, John Boorman, Letters from Iwo Jima, Clint Eastwood)	線上觀看
第十一週	Apocalypse Now – The big show of total war (Midway, Jack Smight, Tora, Tora, Tora, Richard Fleisher, Far Away, Kang Je-Ku, 1941, Steven Spielberg)	線上觀看
第十二週	The elements of total war – sea, sky, jungle, desert, mountains... (Windtalkers, John Woo, Thirty Seconds over Tokyo, Mervyn Le Roy, Lorelei, Shinji Higushi, Gobi, Robert Wise)	線上觀看
第十四週	Warriors and soldiers. Obedience, fanatism, discipline, sacrifice. What is a good leader ? (Objective Burma, Raoul Walsh, Hall of Montezuma, Lewis Milestone, Merril's Marauders, Samuel Fuller, The Burmese Harp, Kon Ichigawa)	線上觀看
第十五週	As a conclusion : Truth and politics – the facts yield to the constraints of the narrative(s) (Destination Tokyo, Delmer Daves, Oba the Last Samurai, Hideyuki Hirayama)	線上觀看

目前顯示第 1 至第 12 個資料列，總計 12 個資料列

課程目標

遠東地區和太平洋地區的戰爭(1937-1945)，不僅是地緣戰略領域完全特殊的軍事戰場，同時也是上個世紀四十年代，新的戰爭敘事中，相當出色的參照”對象”。法國歷史學家諾頓克魯 (Jean Noeton Cru,1879-1949)，在他的重要著作”證人 “ (Temoins)書中，呈現戰爭敘事的演變。相對於傳統由將軍們、政治人物、軍事史學家、被授權的專欄作家等等，在他的書裡，關於一戰期間的戰爭敘事是由在壕溝裡的戰士，各種境況的人所做的。諾頓克魯公開否定一般人從斯湯達的小說 « 帕爾瑪修道院 » (La Charreuse de Parme )所得來的印象，認為身陷戰場的平凡人總是 « 當局者迷 »，這樣的刻板印象。他在敘事場域中提出新的敘事者─任何穿著軍服的人。比起傳統上由功業彪炳的將軍與軍事史學家所書寫的愛國或英雄敘事，由魏爾當(Verdun)戰役存活的一戰軍人嘴裡或筆下所敘述的戰爭，顯然就沒那麼光采動人了。太平洋和遠東地區的戰爭成了戰爭電影發明很特殊的實驗，嶄新的敘事部署帶來前所未有的異質性，戰爭電影將 « 發言權 »給了被丟進激烈戰場的士兵，如同給偉大的戰略學家或政治領袖一般，戰爭電影也製造了前所未見的敘事強度，這是由言說、影像、音效、視覺效果以及剪輯的效果所帶來的印象，這已經不是一個聲音的敘事，而是千音敘事，而且，這也不再是參與戰爭的人的戰爭敘事了。因此，我們要質問的是在此一電影敘事的浮現與的集體經驗田野─遠東、大平洋地區的戰爭所建立的關係，這新的敘事形式的大量生產(我們研究的電影超過一百部！)是為了取代諾杜克魯所讚揚的小兵敘事嗎？或者，恰恰相反，戰爭電影是個間接的途徑，透過此一途徑，無論底層小民或上層菁英的聲音都能以民主的方式被聽到？

本課程行事曆提供課程進度與考試資訊參考。

學期週次	上課日期	參考課程進度
第一週	09/18	War movie(s) and total mobilization. Propaganda and democracy. John Ford ans Akira Kurosawa « do the job » (The Most Beautiful, December 7th)
第二週	09/25	The body of the ennemy : war of races, animalization, extermination (Objective Burma, Raoul Walsh)
第三週	10/02	On crime against humanity – concurrence among the victims (Nanking's bloodbath – Don't Cry Nanking, Wu Ziniou and City of Life and Death, Lu Chuan)
第四週	10/09	On crime against humanity – denial of the crime (Hollywood, the air war, Hiroshima and Nagasaki –Above and Beyond, Melvyn Frank and Norman Panama)
第五週	10/16	On crime against humanity – esthetics and politics of the catastrophe (Black Rain, Shohei Imamura, Rhapsody in August, Akira Kurosawa, Children of Nagasaki Keisuke Kinoshita)
第六週	10/23	Transfiguring defeats in the field into moral victories (Back to Bataan, Edward Dmytryck, Victory, Liu Jia Chang, Kamikaze, Shinjo Taku)
第七週	10/30	Colonization as an insult, Chinese boxing as reparation (Yip Man, Wilson Yip, Born to Defense, Jet Li, Fist of Fury, Lo Wei)
第八週	11/06	Prentations
第九週	11/13	Prisoner's camps pointing to the barbarity of the ennemy (The Bridge on the River Kwai, David Lean, Merry Christmas Mr Lawrence, Nagisha Oshima, Three Came Home, Jean Negulesco)
第十週	11/20	Talking with the ennemy – war and idioms–at the end, everybody speaks English (None but the Braves, Frank Sinatra, Hell in the Pacific, John Boorman, Letters from Iwo Jima, Clint Eastwood)
第十一週	11/27	Apocalypse Now – The big show of total war (Midway, Jack Smight, Tora, Tora, Tora, Richard Fleisher, Far Away, Kang Je‐Ku, 1941, Steven Spielberg)
第十二週	12/04	The elements of total war – sea, sky, jungle, desert, mountains... (Windtalkers, John Woo, Thirty Seconds over Tokyo, Mervyn Le Roy, Lorelei, Shinji Higushi, Gobi, Robert Wise)
第十三週	12/11	Another kind of heroism – Western humanitarians giving assistance to the Chinese people (Escape from Huang Shi, Roger Spottiswoode, The Inn of Sixth Happiness, Mark Robson, John Rabe, Florian Gallenberg)
第十四週	12/18	Warriors and soldiers. Obedience, fanatism, discipline, sacrifice. What is a good leader ? (Objective Burma, Raoul Walsh, Hall of Montezuma, Lewis Milestone, Merril's Marauders, Samuel Fuller, The Burmese Harp, Kon Ichigawa)
第十五週	12/25	Presentations
第十六週	01/01	Holiday
第十七週	01/08	As a conclusion : Truth and politics – the facts yield to the constraints of the narrative(s) (Destination Tokyo, Delmer Daves, Oba the Last Samurai, Hideyuki Hirayama)
第十八週	01/15	Party